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Brotherly Hands across the Cricket Pitch : Lagaan as Gandhian Post-Colonial 'India'
https://doi.org/10.14988/pa.2017.0000011546
https://doi.org/10.14988/pa.2017.00000115467a7ce34d-6a5c-4d06-8618-8e26146638c5
名前 / ファイル | ライセンス | アクション |
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006011040001.pdf (415.0 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2009-03-16 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Brotherly Hands across the Cricket Pitch : Lagaan as Gandhian Post-Colonial 'India' | |||||
言語 | ||||||
言語 | eng | |||||
キーワード | ||||||
主題 | Lagaan, Bollywood, British India, cricket, postcolonialism | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.14988/pa.2017.0000011546 | |||||
ID登録タイプ | JaLC | |||||
アクセス権 | ||||||
アクセス権 | open access | |||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
その他(別言語等)のタイトル | ||||||
その他のタイトル | クリケット ピッチを超えた友好 : 『ラガーン』にみる植民地独立後のガンジーの理想とした「インド」 | |||||
言語 | ja | |||||
その他(別言語等)のタイトル | ||||||
その他のタイトル | クリケット ピッチ オ コエタ ユウコウ : ラガーン ニ ミル ショクミンチ ドクリツゴ ノ ガンジー ノ リソウ トシタ インド | |||||
言語 | ja-Kana | |||||
その他(別言語等)のタイトル | ||||||
その他のタイトル | Brotherly Hands across the Cricket Pitch : Lagaan as Gandhian Post-Colonial "India" | |||||
言語 | en | |||||
その他(別言語等)のタイトル | ||||||
その他のタイトル | クリケット ピッチを超えた友好 : ラガーンにみる植民地独立後のガンジーの理想としたインド | |||||
言語 | ja | |||||
著者 |
クロス, ロバート
× クロス, ロバート |
|||||
著者所属 | ||||||
ja | ||||||
同志社大学言語文化教育研究センター教授 | ||||||
著者所属(英) | ||||||
en | ||||||
Doshisha University | ||||||
所属機関識別子種別 | ||||||
値 | kakenhi | |||||
所属機関識別子 | ||||||
値 | 34310 | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | アカデミー賞にノミネートされたボリウッド映画『ラガーン』(2001)は、19世紀末、植民者のイギリス人と被植民者のインド人との間で行われるクリケットの試合を軸に、ガンジーの理想とした異教徒間の調和を掲げる「インド」が、一人のインド人青年によって建設されていくドラマを描いている。しかし作中の、民族間で団結してイギリスに立ち向かった「インド」においても、非ヒンドゥー教徒のマイノリティに対する描写に問題が存在する。 | |||||
言語 | ja | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The 2001 Bollywood film Lagaan is a parable of the fall of the British Raj that unfolds in the drama of a cricket match between colonizers and colonized. The protagonist, an Indian villager named Bhuvan, embodies the iconicity of the Indian cricket star Sachin Tendulkar and the nationalist and inter-communal ideology of Gandhi. Set at the end of the 19th century, the deeper discourse of the film constructs an ideal post-Independence 'India' in which Gandhi's ideas, far from dying with his assassination and the horrors of Partition, have been fully implemented in the imagined new order. The fantasy of this Gandhian idyll, however, is problematised by the film's treatment of the non-Hindu minority communities-the Muslims, the Sikhs and the outcaste Dalits-particularly when considered in the broader context of the rise of Hindutva fanaticism and communal violence in present-day India. | |||||
言語 | en | |||||
内容記述 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 論文(article) | |||||
言語 | ja | |||||
書誌情報 |
ja : 言語文化 en : Doshisha Studies in Language and Culture 巻 11, 号 4, p. 493-514, 発行日 2009-03-10 |
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出版者 | ||||||
言語 | ja | |||||
出版者 | 同志社大学言語文化学会 | |||||
出版者(英) | ||||||
言語 | en | |||||
出版者 | Doshisha Society for the Study of Language and Culture | |||||
ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 13441418 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA1127628X | |||||
権利者情報 | ||||||
権利者名 | 同志社大学言語文化学会 | |||||
言語 | ja | |||||
権利者名 | Doshisha Society for the Study of Language and Culture | |||||
言語 | en | |||||
関連サイト | ||||||
関連タイプ | isFormatOf | |||||
識別子タイプ | URI | |||||
関連識別子 | https://doors.doshisha.ac.jp/opac/opac_link/bibid/SB00952232/?lang=0 | |||||
言語 | ja | |||||
関連名称 | 掲載刊行物所蔵情報へのリンク / Link to Contents | |||||
フォーマット | ||||||
内容記述タイプ | Other | |||||
内容記述 | application/pdf | |||||
出版タイプ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
日本十進分類法 | ||||||
主題 | 778.225 |