{"created":"2023-07-27T07:53:49.289396+00:00","id":29697,"links":{},"metadata":{"_buckets":{"deposit":"26df944c-45c3-4936-adaa-d51100dfb29e"},"_deposit":{"created_by":21,"id":"29697","owners":[21],"pid":{"revision_id":0,"type":"depid","value":"29697"},"status":"published"},"_oai":{"id":"oai:doshisha.repo.nii.ac.jp:00029697","sets":["4251:5310:5311:5312:9322","8:1050:1051:9321"]},"author_link":["30588"],"item_1693811493084":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_1694490770713":{"attribute_name":"権利者情報","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"DA15255399","nameIdentifierScheme":"AID"}],"rightHolderNames":[{"rightHolderLanguage":"ja","rightHolderName":"同志社大学社会学会"},{"rightHolderLanguage":"en","rightHolderName":"The Association of Social Studies, Doshisha University"}]}]},"item_1_alternative_title_2":{"attribute_name":"その他（別言語等）のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"草月アートセンター催事饒舌の映像テレビコマーシャルフィルム1968年が広告界に与えた影響","subitem_alternative_title_language":"ja"}]},"item_1_biblio_info_14":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2023-05-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"145","bibliographicPageEnd":"90","bibliographicPageStart":"59","bibliographic_titles":[{"bibliographic_title":"評論・社会科学","bibliographic_titleLang":"ja"},{"bibliographic_title":"Hyoron Shakaikagaku (Social Science Review)","bibliographic_titleLang":"en"}]}]},"item_1_description_12":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"「映像・デザイン研究『饒舌の映像－テレビ・コマーシャル・フィルム』」は，草月アートセンターが主催し，1968年に東阪で6日間開催された催事である。本稿はこの開催経緯とかかわった人物，内容詳細と広告界の反応に注目し，そこに表れている関係性を歴史化することを目的としている。「饒舌の映像」の企画者は今村昭という電通の広告制作者いしがみみつとしだったが，今村は石上三登志名で前衛映画の評論家としても活動していた。石上の活動拠点が1960年代の日本の前衛芸術運動を牽引する中心的な存在だった草月アートセンターだった。今村は石上の経歴を用いて「饒舌の映像」を文化催事として企画した。米国と日本の傑作テレビCM集，日本の5名の代表的制作者の作品集などが上映され，鈴木清順，筒井康隆，サトウサンペイ，野坂昭如，竹村健一らが登壇したシンポジウムも併催された。入場料500円を徴収したにもかかわらず毎回満員となった。複数のメディアがこれに驚きをもってとりあげた。反響は広告界の構造転換を促進し，長く君臨していたグラフィック・デザイナー団体の解散を加速させた。「饒舌の映像」は今村・石上というふたつの顔を持つ人物を介した前衛芸術とテレビCMの交点であり，これ以降テレビCMの社会的・文化的価値についての議論が本格化したと考えられる。","subitem_description_language":"ja","subitem_description_type":"Abstract"},{"subitem_description":"From June to July 1968, the Sogetsu Art Center sponsored an event titled \"Research on Image and Design: 'Eloquent Images: TV Commercials and Films.'\" This paper investigates in detail the contents of this event, how it was organized, and who was involved. It also examines the reactions of the public and the industry after the event. The purpose of this paper is to examine the impact of this event on TV commercials in Japan based on this research. \nThe organizer of \"Eloquent Images\" was an advertising producer named Imamua Akira, an employee of Dentsu. However, Imamura also worked as an avant-garde film critic under the alias of Ishigami Mitsutoshi. Imamura used his career and contacts as the film critic Ishigami to organize this event as a cultural event. Each of the six days of the event featured a collection of outstanding American television commercials, a medley of Japanese masterpieces, and works by five leading Japanese filmmakers. On five of the six days, screenings were accompanied by open discussions on television commercials. These were attended by scholars, film directors, writers, and cartoonists. Despite charging an admission fee of 500 yen, each session was full to capacity. This situation was reported by several media outlets with surprise. After this event, the number of articles in the media examining TV commercials as a cultural phenomenon increased. This event served to raise public awareness of the aesthetic, social, and cultural value of TV commercials in Japan.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_1_description_13":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"論文(Article)","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_1_description_25":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_1_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.14988/00029694","subitem_identifier_reg_type":"JaLC"}]},"item_1_publisher_15":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"同志社大学社会学会","subitem_publisher_language":"ja"}]},"item_1_publisher_16":{"attribute_name":"出版者（英）","attribute_value_mlt":[{"subitem_publisher":"The Association of Social Studies, Doshisha University","subitem_publisher_language":"en"}]},"item_1_relation_24":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_language":"ja","subitem_relation_name_text":"掲載刊行物所蔵情報へのリンク ／ Link to Contents"}],"subitem_relation_type":"isFormatOf","subitem_relation_type_id":{"subitem_relation_type_id_text":"https://doors.doshisha.ac.jp/opac/opac_link/bibid/SB00961338/?lang=0","subitem_relation_type_select":"URI"}}]},"item_1_select_10":{"attribute_name":"所属機関識別子種別","attribute_value_mlt":[{"subitem_select_item":"ROR"}]},"item_1_select_11":{"attribute_name":"所属機関識別子","attribute_value_mlt":[{"subitem_select_item":"https://ror.org/01fxdkm29"}]},"item_1_source_id_17":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"02862840","subitem_source_identifier_type":"PISSN"}]},"item_1_source_id_19":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00211207","subitem_source_identifier_type":"NCID"}]},"item_1_subject_27":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"674.21","subitem_subject_scheme":"NDC"}]},"item_1_text_8":{"attribute_name":"著者所属","attribute_value_mlt":[{"subitem_text_language":"ja","subitem_text_value":"同志社大学社会学部教授"}]},"item_1_text_9":{"attribute_name":"著者所属（英）","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Doshisha University"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"竹内, 幸絵","creatorNameLang":"ja"},{"creatorName":"タケウチ, ユキエ","creatorNameLang":"ja-Kana"},{"creatorName":"Takeuchi, Yukie","creatorNameLang":"en"}],"nameIdentifiers":[{},{},{},{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2023-06-19"}],"displaytype":"detail","filename":"031001450005.pdf","filesize":[{"value":"2.6 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"031001450005.pdf","url":"https://doshisha.repo.nii.ac.jp/record/29697/files/031001450005.pdf"},"version_id":"117f3eba-9081-40e4-a930-2fc743478b13"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"テレビ・コマーシャル","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"饒舌の映像","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"草月アートセンター","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"広告制作者","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"前衛映画","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"Television commercials","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Eloquent Images","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"The Sogetsu Art Center","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Advertising producer","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Avant-garde film","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"草月アートセンター催事「饒舌の映像--テレビ・コマーシャル・フィルム」（1968年）が広告界に与えた影響","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"草月アートセンター催事「饒舌の映像--テレビ・コマーシャル・フィルム」（1968年）が広告界に与えた影響","subitem_title_language":"ja"},{"subitem_title":"ソウゲツ アート センター サイジ ジョウゼツ ノ エイゾウ テレビ コマーシャル フィルム 1968 ネン ガ コウコクカイ ニ アタエタ エイキョウ","subitem_title_language":"ja-Kana"},{"subitem_title":"The influence of the Sogetsu Art Center event \"eloquent images : TV commercials and films\" (1968) on advertising","subitem_title_language":"en"}]},"item_type_id":"1","owner":"21","path":["9321","9322"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2023-06-19"},"publish_date":"2023-06-19","publish_status":"0","recid":"29697","relation_version_is_last":true,"title":["草月アートセンター催事「饒舌の映像--テレビ・コマーシャル・フィルム」（1968年）が広告界に与えた影響"],"weko_creator_id":"21","weko_shared_id":-1},"updated":"2023-10-25T05:08:21.047781+00:00"}