@article{oai:doshisha.repo.nii.ac.jp:00028945,
 author = {伊藤, 高史 and Ito, Takashi},
 issue = {141},
 journal = {評論・社会科学, Hyoron Shakaikagaku (Social Science Review)},
 month = {May},
 note = {本稿では，テクノポップユニットPerfumeを，社会システム論の観点から分析する。彼女らのパフォーマンスの特徴は，「非人間的身体性の表象」とでも表現できるような，機械的に処理され個性を奪われたかのように聞こえる歌唱と，アンドロイドのような非人間的なイメージをともなうダンスによって示される。このようなPerfumeの非人間的身体性の表象は，文化産業を資本主義の非人間性との関連で捉える伝統的な見方に対するアンチテーゼとして理解できる。様々な社会システムの複合的重なり合いの中で生み出されるPerfumeというコンテンツは，音楽に関わる社会システムの作動に影響を与える「出来事」として，音楽を語る語彙を変革し，我々の思考枠組みに影響を与えてきた。Perfumeの非人間的身体性の表象が大衆的な支持を得続けているという事実は，個人と社会，個性と文化産業，生活世界とシステムといった二元論的世界観に基づく認識枠組みに根本的な反省を迫るものである。, This study aims to clarify the impact of the Japanese popular techno-pop unit "Perfume" on the operations of social systems concerning the media industry and consumers by analyzing the corporality of the unit from the perspective of social systems theory. It is well known that the performances of Perfume, which is composed of three female members, are constructed by talented creators such as music producer Nakata Yasutaka, video producer Seki Kazuaki, and choreographer MIKIKO. Perfume's performances are characterized by singing that sounds mechanically processed and deprived of individuality, and dancing with an inhuman image, as if the dancers were androids. These seem to represent the inhumanity of capitalism, as the conventional criticisms of the cultural industry once stated. However, their performances are highly evaluated by the public, and they have been ranked among the most popular star artists since 2007. Perfume's activities have deeply affected the operations of social systems consuming popular music by transforming the vocabulary to discuss popular music and dismantling the conventional categories of the music industry, including the distinction between idle singers and artists. Its activities also urge a fundamental reflection on the cognitive framework based on a dualistic worldview of individuals and society, individuality and cultural industry, and lifeworld and systems, in which the former is assumed to be aspired to and the latter is regarded as an obstacle to the selfrealization of individuals. The performances emphasizing inhuman images show that creativities and personalities can only be created in the complex overlap and conflicts among the different social systems., 論文(Article), application/pdf},
 pages = {49--70},
 title = {テクノポップユニットPerfumeの非人間的身体性の表象に関する社会システム論的考察},
 year = {2022},
 yomi = {イトウ, タカシ}
}