@article{oai:doshisha.repo.nii.ac.jp:00028831,
 author = {伊藤, 高史 and Ito, Takashi},
 issue = {140},
 journal = {評論・社会科学, Hyoron Shakaikagaku (Social Science Review)},
 month = {Mar},
 note = {本稿では，メディア論としての社会システム論という観点から，スター歌手として大衆的認知を獲得した森高千里が，「人形」や「アンドロイド」などといった非人間的な存在感を示す言葉で表現されたことの社会的意味を考察する。このことを通じて，大衆文化が持つ創造性とそれを生み出すメカニズムを明らかにすることが本稿の目的である。森高はメディアを通じて表象された「複製」こそが消費システムにとっては「オリジナル」として体験され，実際の森高は「複製の再認」であるという倒錯した状況を観察し，そのことを表現するパフォーマンスを行った。「人形」や「アンドロイド」といった表現が示唆するのはメディア的表象の中にあっても森高は独特の質感を持った存在として，「メディア的身体性」と呼び得るものを獲得していたことである。消費システムは文化産業システムと創作システムの作動の中に，消費システムがいかにして観察されているのかを観察し，そのことによって森高のパフォーマンスに「リアルなもの」としての意味を見出した。森高がメディア的身体性を獲得したことの分析を通じて，大衆文化における創造性は，様々な社会システムが複合的，重層的に連鎖し，相互に観察し合うことを通じて生み出されていることが明らかになる。, This study aims to clarify the relationship between the changing meaning shared by the public and mass culture through the analysis of the meaning attached to the corporeality of star singer MORITAKA Chisato, who was described by such words as "doll" and "android," associating her with the image of a non-human being. The case is analyzed based on social systems theory and media theory. MORITAKA performed as if she were a copy of the images of an idol singer shared by the public. Hence, she was interpreted as a parody of an idol star. The "copies" represented in the media are experienced by the audience as "original" in a world in which the media technology highly developed and a star singer, as a human-being, is a copy of media representations. Her performance can be interpreted from the perspectives of social systems theory as an expression of such a perverted situation based on the observation by the social system that created it. Such words as "doll" and "android," which are frequently used to describe MORITAKA, suggested that the audience experienced her media representation as that of a person with texture and she acquired "corporeality in the media." The social system which consumed her performance monitored how it was observed by the social systems which created and commercialized her and discovered that her performance was an expression of reality in a world in which media technology highly developed. The analysis of the corporeality acquired by MORITAKA in the media showed that creativity in mass culture stems from the complex overlap and mutual observation of the different social systems that create, commercialize, and consume the products in mass culture., 論文(Article), application/pdf},
 pages = {1--21},
 title = {メディア論としての社会システム論に基づくスター歌手森高千里の身体性と大衆文化に関する考察},
 year = {2022},
 yomi = {イトウ, タカシ}
}