@article{oai:doshisha.repo.nii.ac.jp:00028807,
 author = {伊藤, 高史 and Ito, Takashi},
 issue = {139},
 journal = {評論・社会科学, Hyoron Shakaikagaku (Social Science Review)},
 month = {Dec},
 note = {本稿では，筆者がこれまでに考察してきたメディア文化に関する社会システム論的分析枠組みを利用して，クラシック音楽界では異例の注目を集めた佐村河内守の「ゴーストライター騒動」（2014年）を分析し，今日のメディア文化の在り方とそこにおける創造性産出のメカニズムの一端を明らかにした。クラシック音楽は歴史的に市民を感動させる音楽へと発展してきた。そのような歴史から考えれば，身体的障害や被爆二世といった記号的価値を付与して作品の価値を高めようとした佐村河内のやり方は自然なものであった。消費システムを観察し，消費システムを作動させようとする文化産業システムは，過去の作品との微細な差異を生み出しながら新しい商品を創作システムとともに生み出していく。創作システム，文化産業システム，消費システムが複合的に交差する中で佐村河内という「作曲家」が生み出され，彼は，現代日本の消費システムを作動させる調性音楽を生み出すプロデューサーとしての役割を果たした。文化産業システムを中心にした複数の社会システムが複合的に重なり合う中で，これまでになかった「21世紀の調性音楽」が生み出されたのである。, This study aims to apply a theoretical framework for analyzing contemporary media culture based on a social systems theory to the scandalous case of SAMURAGOCHI Mamoru, in which a weekly magazine revealed that he had publicly misrepresented his career. SAMURAGOCHI, known as the "digital-age Beethoven," composed pieces of classical music while claiming to suffer from a physical handicap including total deafness and mental sickness. However, he had a "ghost writer" compose the pieces published under his name for 18 years. Further, his hearing difficulty and other handicaps were not as serious as he had stated. Some argued that the scandalous incident was engendered by the commercialism of the music industry. His ability and the operation of the business system to promote the musical pieces through numerous touching stories were put forward, recounting that he created the music, including a symphony, in a world devoid of sounds and as a son of an Atomic Bomb victim in Hiroshima to repose the souls of Atomic Bombs victims. Contemporary media culture can be conceptualized as a complex combination of three social systems : the "creation," "business," and "consumption" systems, each operating according to its own code. Japanese classical music experts follow the trends of western classical music and evaluate such music as created through modern composition methods based on post-tonal music theory, in which the vast majority of the public has no interest. The pieces published under the name of SAMURAGOCHI consisted in tonal music with emotional harmony, eliciting emotions from the audience. The CD of his first symphony recorded unusually high sales among classical music CDs. The creation system of composing classical music based on tonality needed the operations of the business system, which publicized the music with touching stories to sell the CD to the consumption system, which operates according to the code "emotional/or not." Critics decried the pieces of SAMURAGOCHI because of the lack of innovative elements as modern music. However, the consumption system does not need music to be innovative, but to play on the emotions of consumers. Music which matches the needs of the consumption system was provided by the operations of the business system. It is the business system operating according to the code of "profitable/or not" that created the modern tonal music which appealed to the public in Japan., 論文(Article), application/pdf},
 pages = {23--42},
 title = {「現代のベートーヴェン」と呼ばれた佐村河内守のゴーストライター騒動を巡る社会システム論的分析},
 year = {2021},
 yomi = {イトウ, タカシ}
}