{"created":"2023-07-27T07:52:55.437041+00:00","id":28586,"links":{},"metadata":{"_buckets":{"deposit":"fbaf812e-8972-497e-948a-2a557de2a8ac"},"_deposit":{"created_by":21,"id":"28586","owners":[21],"pid":{"revision_id":0,"type":"depid","value":"28586"},"status":"published"},"_oai":{"id":"oai:doshisha.repo.nii.ac.jp:00028586","sets":["4251:5310:5311:5312:8984","8:1050:1051:8983"]},"author_link":["24544"],"item_1693811493084":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_1694490770713":{"attribute_name":"権利者情報","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"DA15255399","nameIdentifierScheme":"AID"}],"rightHolderNames":[{"rightHolderLanguage":"ja","rightHolderName":"同志社大学社会学会"},{"rightHolderLanguage":"en","rightHolderName":"The Association of Social Studies, Doshisha University"}]}]},"item_1_biblio_info_14":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2021-09-30","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"138","bibliographicPageEnd":"40","bibliographicPageStart":"21","bibliographic_titles":[{"bibliographic_title":"評論・社会科学","bibliographic_titleLang":"ja"},{"bibliographic_title":"Hyoron Shakaikagaku (Social Science Review)","bibliographic_titleLang":"en"}]}]},"item_1_description_12":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本稿は，筆者が別稿で検討した，メディア文化についての社会システム論的分析枠組みを実証研究に応用するものである。そのことによって，大衆文化としてのメディア文化において創造性が発揮されるメカニズムを社会システムの観点から明らかにするとともに，筆者が提示した分析枠組みの有効性を検証する。分析対象とするのは，今日に至るまで活躍するスター歌手森高千里であり，彼女が1980年代後半にデビューし，スターとしての大衆的認知を得る1990年代はじめまでの時期に焦点を当てる。彼女は文化産業システムによって敷かれた路線を従順に歩むアイドルとしてデビューさせられたが，スタッフの協力を得て独自の世界を切り開いていった。彼女の振る舞いを「キワモノ」「アイドルのパロディ」として解釈する「解釈共同体」が成立し，彼女に唯一無二の地位を与えていった。彼女がスターとしての大衆的認知を得る過程が示しているのは，社会システム論が示唆する通り，様々な社会システムが交差し相互作用する中での葛藤や協働が，資本主義社会のメディア文化に創造性をもたらしていることである。","subitem_description_language":"ja","subitem_description_type":"Abstract"},{"subitem_description":"This study aims to apply a theoretical framework for analyzing contemporary media culture based on social systems theory to the specific case of how a popular music singer, MORITAKA Chisato, gained her reputation as a star musician. Through this study, the author aims to show where the creativeness of media culture originated, as well as to examine the effectiveness of the theoretical framework for an analysis based on social systems theory. The singer launched her career in 1986. After a period of obscurity, she began to gain public attention as a \"parody\" of idle popular singers with a showy costume and unique lyrics around 1990. Contemporary media culture can be conceptualized as a complex combination of three social systems : the \"creation,\" \"business,\" and \"consumption\" systems. The business system initially unsuccessfully attempted to promote her as a normal idle singer. The creation system and the singer were unsatisfied with performing as a typical idle singer. Hence, she attempted to create her own style as a performer. While her appearance, wearing short skirts emphasizing her beautiful legs, attracted significant attention, especially from boys, an \"interpretive community\" which interpreted her performance and appearance as a \"parody\" of typical idle singers emerged from the consumption system. The success of MORITAKA can be explained by the dynamism and conflicts caused by the interactions of different social systems.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_1_description_13":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"論文(Article)","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_1_description_25":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_1_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.14988/00028578","subitem_identifier_reg_type":"JaLC"}]},"item_1_publisher_15":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"同志社大学社会学会","subitem_publisher_language":"ja"}]},"item_1_publisher_16":{"attribute_name":"出版者（英）","attribute_value_mlt":[{"subitem_publisher":"The Association of Social Studies, Doshisha University","subitem_publisher_language":"en"}]},"item_1_relation_24":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_language":"ja","subitem_relation_name_text":"掲載刊行物所蔵情報へのリンク ／ Link to 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University"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"伊藤, 高史","creatorNameLang":"ja"},{"creatorName":"イトウ, タカシ","creatorNameLang":"ja-Kana"},{"creatorName":"Ito, Takashi","creatorNameLang":"en"}],"nameIdentifiers":[{},{},{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2021-10-28"}],"displaytype":"detail","filename":"031001380003.pdf","filesize":[{"value":"1.1 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"031001380003.pdf","url":"https://doshisha.repo.nii.ac.jp/record/28586/files/031001380003.pdf"},"version_id":"060cf11a-3ed8-42c3-9a05-4606e17cccf5"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"社会システム","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"メディア文化","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"文化産業","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"大衆文化","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"森高千里","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"Social systems","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Media culture","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Culture industry","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Mass culture","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"MORITAKA Chisato","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"社会システム論的分析枠組みによるスター歌手森高千里の大衆的認知獲得過程の分析 : 理論モデルの実証研究への応用の試みとして","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"社会システム論的分析枠組みによるスター歌手森高千里の大衆的認知獲得過程の分析 : 理論モデルの実証研究への応用の試みとして","subitem_title_language":"ja"},{"subitem_title":"シャカイ システムロンテキ ブンセキ ワクグミ ニヨル スター カシュ モリタカ チサト ノ タイシュウテキ ニンチ カクトク カテイ ノ ブンセキ : リロン モデル ノ ジッショウ ケンキュウ エノ オウヨウ ノ ココロミ トシテ","subitem_title_language":"ja-Kana"},{"subitem_title":"How pop music singer Moritaka Chisato gained her reputation as a star musician : analysis from the perspective of social systems theory","subitem_title_language":"en"}]},"item_type_id":"1","owner":"21","path":["8983","8984"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2021-10-28"},"publish_date":"2021-10-28","publish_status":"0","recid":"28586","relation_version_is_last":true,"title":["社会システム論的分析枠組みによるスター歌手森高千里の大衆的認知獲得過程の分析 : 理論モデルの実証研究への応用の試みとして"],"weko_creator_id":"21","weko_shared_id":-1},"updated":"2023-11-17T06:58:50.938912+00:00"}