@phdthesis{oai:doshisha.repo.nii.ac.jp:00028171,
 author = {入江, 敏子 and Irie, Toshiko},
 month = {2021-05-17},
 note = {本博士論文では、戦間期から戦後にかけての宝塚歌劇団と、アメリカのトランスナショナルな関係性について焦点をあて、アメリカと継続的な接点があった宝塚女性演者に着目をする。宝塚演者のような特殊性を持つ女性たちに焦点を当てることは、当時の新たな日本人女性像を見出すことを可能にする。同時に、トランスナショナルな視点を用いた結果、彼女たちが日本人女性としてのアイデンティを国内だけではなく、国外とのやり取りを通じて構築していたという事実を明らかにする。, This project is one of the first attempts to explore the transnational history of Takarazuka by following the complex processes by which Americans and Japanese used Takarazuka to explore the contours of Japanese identity and femininity in the period from the late 1930s to the 1950s. Especially, through this dissertation, I will focus on the voices of Takarazuke females whose historical voices have barely been featured in the previous research. By using transnationalism as a main analytical theme, I argue that these females used the given opportunities to recreate their own identities, especially through the difficulties of negotiating the boundaries during the time when the role of Japanese women was continuously transforming., application/pdf},
 title = {Transnational Takarazuka : Japanese female performers and America from the 1930s to the 1950s},
 year = {},
 yomi = {イリエ, トシコ}
}