{"created":"2023-07-27T07:51:55.837595+00:00","id":27334,"links":{},"metadata":{"_buckets":{"deposit":"3059afa1-7c16-4ef3-a175-ec512b2bb4f4"},"_deposit":{"created_by":20,"id":"27334","owners":[20],"pid":{"revision_id":0,"type":"depid","value":"27334"},"status":"published"},"_oai":{"id":"oai:doshisha.repo.nii.ac.jp:00027334","sets":["4251:8393:8394:8474:8536","8:3869:3935:8530"]},"author_link":["11698"],"item_1693811493084":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_1694490770713":{"attribute_name":"権利者情報","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"DA17452834","nameIdentifierScheme":"AID"}],"rightHolderNames":[{"rightHolderLanguage":"ja","rightHolderName":"同志社大学日本語・日本文化教育センター"},{"rightHolderLanguage":"en","rightHolderName":"Doshisha University Center for Japanese Language and Culture"}]}]},"item_1_alternative_title_2":{"attribute_name":"その他（別言語等）のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"動きを表す漫画のオノマトペ : 歩く走るを例として","subitem_alternative_title_language":"ja"}]},"item_1_biblio_info_14":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2020-03","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"17","bibliographicPageEnd":"37","bibliographicPageStart":"19","bibliographic_titles":[{"bibliographic_title":"同志社大学日本語・日本文化研究","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of Center for Japanese Language and Culture","bibliographic_titleLang":"en"}]}]},"item_1_description_12":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"漫画には多くのオノマトペが見られるが、本稿では、「動き」を視点として、オノマトペを取り上げ、中でも「歩く・走る」動きについて、擬音語、擬態語がどのような役割を果たしているのかについて考察した。擬音語・擬態語の辞書によると、人間の全身の「動き」の中で、「歩く」動作に関するオノマトペが最も多く見られる。一方で、「走る」に関するオノマトペは少数である。本稿で資料とした森本梢子著『研修医 なな子』（全7巻、1995-2000年、集英社）では、「歩く」動作そのものを表現する場合、「歩く」に関するオノマトペではなく、擬音語が多く用いられている。特に「走る」に関しては、擬音語を活用して、「走る」動作を表現していると考えられる。絵にオノマトペを添えて、絵では表現しきれない内容を補うばかりでなく、絵はなくても、オノマトペだけで十分「動き」を読み取ることができる場合もある。このような「動き」を表現するオノマトペは、単に「動きの効果を高めるため」の「効果音」というよりも、「動き」そのものを表現するツールになっていると考えられる。そして、「音や動きのない時間を造り出す」促音によって、動きの遅速を表現したり、リズムに変化を与えたり、オノマトペの様々な語形によって、動きの違いを表現し分ける。また、「歩く」カテゴリーのオノマトペは、歩く動作そのものよりも、身体機能に影響されたり、健康状態や心理状態を反映した歩き方を表現していた。","subitem_description_language":"ja","subitem_description_type":"Abstract"}]},"item_1_description_13":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"20周年記念特別号","subitem_description_language":"ja","subitem_description_type":"Other"},{"subitem_description":"研究論文(Article)","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_1_description_25":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_1_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.14988/pa.2020.0000000213","subitem_identifier_reg_type":"JaLC"}]},"item_1_publisher_15":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"同志社大学日本語・日本文化教育センター","subitem_publisher_language":"ja"}]},"item_1_publisher_16":{"attribute_name":"出版者（英）","attribute_value_mlt":[{"subitem_publisher":"Doshisha 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