{"created":"2023-07-27T07:51:36.482764+00:00","id":26940,"links":{},"metadata":{"_buckets":{"deposit":"1adfe495-df40-4879-9c34-6ff23e938ef7"},"_deposit":{"created_by":21,"id":"26940","owners":[21],"pid":{"revision_id":0,"type":"depid","value":"26940"},"status":"published"},"_oai":{"id":"oai:doshisha.repo.nii.ac.jp:00026940","sets":["4251:7526:7527:7528:7530","8:3221:3222:3224"]},"author_link":["16572"],"item_1693811493084":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_1694490770713":{"attribute_name":"権利者情報","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"DA17863023","nameIdentifierScheme":"AID"}],"rightHolderNames":[{"rightHolderLanguage":"ja","rightHolderName":"同志社大学グローバル地域文化学会"},{"rightHolderLanguage":"en","rightHolderName":"Doshisha Society for Global and Regional Studies"}]}]},"item_1_alternative_title_2":{"attribute_name":"その他（別言語等）のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"从商业片的角度看陈凯歌的电影以及中国电影的发展进程","subitem_alternative_title_language":"zh-cn"}]},"item_1_biblio_info_14":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2019-10-25","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"13","bibliographicPageEnd":"41","bibliographicPageStart":"1","bibliographic_titles":[{"bibliographic_title":"GR-同志社大学グローバル地域文化学会紀要","bibliographic_titleLang":"ja"},{"bibliographic_title":"Doshisha Global and Regional Studies Review","bibliographic_titleLang":"en"}]}]},"item_1_description_12":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"現在、中国映画産業は世界第二位の規模に成長したが、競争は激しい。そんな中で、1980年代にデビューした陳凱歌が、なお表舞台にとどまっていることは、注目に値する。しかし、特に1990年代半ば以降、陳凱歌は、メインストリームの商業映画の舞台で活躍する道を選び続けてきた一方で、それに徹することもできずにいる。本論は、こうした前提のもと、商業映画としての側面を軸に、陳凱歌のフィルモグラフィーを概観し、再検討を図ることを目的とする。","subitem_description_language":"ja","subitem_description_type":"Abstract"},{"subitem_description":"时至今日中国电影产业已发展到世界第二的规模，电影行业内的生存竞争也异常严酷。尽管如此，陈凯歌从二十世纪八十年代成名开始，至今仍然活跃于中国电影创作的第一线。但是九十年代中期以后，在商业片创作道路上一帆风顺的陈凯歌，更是与他一心追求的理想电影渐行渐远。此篇论文从商业片的角度回顾并分析陈凯歌的电影历程。","subitem_description_language":"zh-cn","subitem_description_type":"Abstract"}]},"item_1_description_13":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"論文(Article)","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_1_description_25":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_1_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.14988/pa.2019.0000000454","subitem_identifier_reg_type":"JaLC"}]},"item_1_publisher_15":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"同志社大学グローバル地域文化学会","subitem_publisher_language":"ja"}]},"item_1_publisher_16":{"attribute_name":"出版者（英）","attribute_value_mlt":[{"subitem_publisher":"Doshisha 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