{"created":"2023-07-27T07:50:43.833430+00:00","id":25939,"links":{},"metadata":{"_buckets":{"deposit":"f8e7dd66-9f9c-4ca0-989f-1391318e3c82"},"_deposit":{"created_by":20,"id":"25939","owners":[20],"pid":{"revision_id":0,"type":"depid","value":"25939"},"status":"published"},"_oai":{"id":"oai:doshisha.repo.nii.ac.jp:00025939","sets":["4251:7784:7785:7948:7953","8:3372:3535:3540"]},"author_link":["20683"],"item_1694490770713":{"attribute_name":"権利者情報","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"DA00394518","nameIdentifierScheme":"AID"}],"rightHolderNames":[{"rightHolderLanguage":"ja","rightHolderName":"同志社大学人文科学研究所"},{"rightHolderLanguage":"en","rightHolderName":"Institute for the Study of Humanities & Social Sciences, Doshisha University"}]}]},"item_1_alternative_title_2":{"attribute_name":"その他（別言語等）のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"1960-70年代の日米におけるイタリアバロック音楽の受容 : 集中的聴取の退化とそれへの批判","subitem_alternative_title_language":"ja"}]},"item_1_biblio_info_14":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017-11-28","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"3","bibliographicPageEnd":"64","bibliographicPageStart":"43","bibliographicVolumeNumber":"47","bibliographic_titles":[{"bibliographic_title":"社会科学","bibliographic_titleLang":"ja"},{"bibliographic_title":"The Social Science(The Social Sciences)","bibliographic_titleLang":"en"}]}]},"item_1_description_12":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"1960年代から70年代にかけて日本や米国で生じた後期イタリア・バロック器楽曲の流行現象は、19世紀以降の古典派・ロマン派音楽の精神主義的・集中的聴取に対する反動としての側面を持っていた。他方で、評論家のような教養ある聴き手によって、それらバロック期の音楽は感情表現に乏しく、非知性的で没個性的な音楽であるという批判がなされた。彼らによってそれらの音楽は、歴史主義的な観点からではなく、あくまで彼ら自身の近代的な美的基準によって判断された。","subitem_description_language":"ja","subitem_description_type":"Abstract"},{"subitem_description":"The boom of the italian baroque instrumental music during 1960s and 70s in Japan and United States had an aspect of a reaction against the spiritual and concentrated listening to the music from the 19th Century. On the other hand, the educated listeners such as musical critics considered that the italian baroque music was expressionless, unintellectual and lacked individuality. They judged it not from the historicist view but by their own taste for modern canonical music.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_1_description_13":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"論説(Article)","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_1_publisher_15":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"同志社大学人文科学研究所","subitem_publisher_language":"ja"}]},"item_1_publisher_16":{"attribute_name":"出版者（英）","attribute_value_mlt":[{"subitem_publisher":"Institute for the Study of Humanities & Social Sciences, Doshisha University","subitem_publisher_language":"en"}]},"item_1_relation_24":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_language":"ja","subitem_relation_name_text":"掲載刊行物所蔵情報へのリンク ／ Link to Contents"}],"subitem_relation_type":"isFormatOf","subitem_relation_type_id":{"subitem_relation_type_id_text":"https://doors.doshisha.ac.jp/opac/opac_link/bibid/SB00958720/?lang=0","subitem_relation_type_select":"URI"}}]},"item_1_select_10":{"attribute_name":"所属機関識別子種別","attribute_value_mlt":[{"subitem_select_item":"kakenhi"}]},"item_1_select_11":{"attribute_name":"所属機関識別子","attribute_value_mlt":[{"subitem_select_item":"34310"}]},"item_1_source_id_17":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"04196759","subitem_source_identifier_type":"PISSN"}]},"item_1_source_id_19":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00108933","subitem_source_identifier_type":"NCID"}]},"item_1_subject_27":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"762.05","subitem_subject_scheme":"NDC"}]},"item_1_text_8":{"attribute_name":"著者所属","attribute_value_mlt":[{"subitem_text_language":"ja","subitem_text_value":"同志社大学文学部准教授"}]},"item_1_text_9":{"attribute_name":"著者所属（英）","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Doshisha University"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"metadata only access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_14cb"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"大愛, 崇晴","creatorNameLang":"ja"},{"creatorName":"オオアイ, タカハル","creatorNameLang":"ja-Kana"},{"creatorName":"Oai, Takaharu","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"20683","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"1000070587980","nameIdentifierScheme":"CiNii ID","nameIdentifierURI":"http://ci.nii.ac.jp/nrid/1000070587980"},{"nameIdentifier":"70587980","nameIdentifierScheme":"e-Rad","nameIdentifierURI":"https://kaken.nii.ac.jp/ja/search/?qm=70587980"}]}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"クラシック音楽","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"バロック音楽","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"ヴィヴァルディ","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"集中的聴取","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"Classical Music","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Baroque Music","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Vivaldi","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Concentrated Listening","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"1960-70年代の日米におけるイタリア・バロック音楽の受容 : 集中的聴取の退化とそれへの批判","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"1960-70年代の日米におけるイタリア・バロック音楽の受容 : 集中的聴取の退化とそれへの批判","subitem_title_language":"ja"},{"subitem_title":"1960-70ネンダイ ノ ニチベイ ニオケル イタリア バロック オンガク ノ ジュヨウ : シュウチュウテキ チョウシュ ノ タイカ ト ソレ エノ ヒハン","subitem_title_language":"ja-Kana"},{"subitem_title":"Reception of Italian baroque music during the 1960s and 70s in Japan and the United States : the degeneration of concentrated listening and the criticism against it","subitem_title_language":"en"}]},"item_type_id":"1","owner":"20","path":["3540","7953"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2017-12-20"},"publish_date":"2017-12-20","publish_status":"0","recid":"25939","relation_version_is_last":true,"title":["1960-70年代の日米におけるイタリア・バロック音楽の受容 : 集中的聴取の退化とそれへの批判"],"weko_creator_id":"20","weko_shared_id":-1},"updated":"2023-12-14T04:57:07.486407+00:00"}