{"created":"2023-07-27T07:48:29.019149+00:00","id":23220,"links":{},"metadata":{"_buckets":{"deposit":"424ae5d1-3b6b-4ae8-9340-059efc8cf25f"},"_deposit":{"created_by":20,"id":"23220","owners":[20],"pid":{"revision_id":0,"type":"depid","value":"23220"},"status":"published"},"_oai":{"id":"oai:doshisha.repo.nii.ac.jp:00023220","sets":["4251:8393:8394:8474:8478","8:3869:3935:3939"]},"author_link":["19629"],"item_1693811493084":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_1694490770713":{"attribute_name":"権利者情報","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"DA17452834","nameIdentifierScheme":"AID"}],"rightHolderNames":[{"rightHolderLanguage":"ja","rightHolderName":"同志社大学日本語・日本文化教育センター"},{"rightHolderLanguage":"en","rightHolderName":"Doshisha University Center for Japanese Language and 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Culture","bibliographic_titleLang":"en"}]}]},"item_1_description_12":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本稿は、上代歌謡と万葉集の「見ユ」の用例の分析を通して、一、「見ユ」と一人称との関連、二、上代語における「動詞・助動詞終止形+見ユ」の形式と「見ユ」の意味、三、「見ユ」の活用形の展開と助動詞への接続の文法史的な意味を考察した。主な結論は、以下のとおりである。一、佐竹昭広(1975)が指摘した「上代人の自己中心係数」は、上代歌謡と前期万葉において特に顕著なものであり、万葉集の中でも、万葉第三期、第四期と時期が降るにつれてすでに次第に低下していく傾向が見られた。これは文体史的な問題とともに文法史的な問題であると考えられる。二、上代語における「動詞・助動詞終止形+見ユ」の形式は特に上代歌謡に顕著な特徴であるが、万葉集を第一期、第二期、第三期、第四期に分けてみた場合、その用例が次第に減少していくのに平行して、「見ユ」の活用形、特に連用形を中心に助詞・助動詞が下接する用法が増えていく傾向が見られた。上代語の「見ユ」は視覚的にものが存在する意、すなわち「現前の視覚事実=事態」を表す動詞であり、その終止形終止法は現在を表すものと考えられる。三、「見ユ」連用形に下接する助動詞のうち、いわゆる「過去」の助動詞では「キ」が、いわゆる完了の助動詞では「ツ」が先行し、「ケリ」と「ヌ」はいずれも第四期において初めて用いられ、これは上代語の資料を一つの共時態として見るよりは、上代歌謡→前期万葉(万葉第一期、第二期)→後期万葉(万葉第三期、第四期)に分けて考えたほうが文体史的にも文法史的にも有効であり、「キ・ケリ」、「ツ・ヌ」の意味機能を考える上で示唆を与えると考えられる。「見ユ」連用形に下接する動詞、助動詞に見る空間的・時間的な「近vs. 非近」は話者への空間的、心理的な関係性として、上代語の人称体系、「一人称vs. 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