{"created":"2023-07-27T07:47:35.137051+00:00","id":22170,"links":{},"metadata":{"_buckets":{"deposit":"d6d6f59f-cc41-4f67-bbc4-79bf4c455e7a"},"_deposit":{"created_by":21,"id":"22170","owners":[21],"pid":{"revision_id":0,"type":"depid","value":"22170"},"status":"published"},"_oai":{"id":"oai:doshisha.repo.nii.ac.jp:00022170","sets":["4251:7158:7159:7160:7175","8:2873:2874:2889"]},"author_link":["19076"],"item_1693811493084":{"attribute_name":"出版タイプ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_1694490770713":{"attribute_name":"権利者情報","attribute_value_mlt":[{"nameIdentifiers":[{"nameIdentifier":"DA15398909","nameIdentifierScheme":"AID"}],"rightHolderNames":[{"rightHolderLanguage":"ja","rightHolderName":"同志社大学文化情報学会"}]}]},"item_1_alternative_title_2":{"attribute_name":"その他（別言語等）のタイトル","attribute_value_mlt":[{"subitem_alternative_title":"わざカリスマ不透明な身体 : 音楽家の場合","subitem_alternative_title_language":"ja"}]},"item_1_biblio_info_14":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2011-03-10","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"1","bibliographicPageEnd":"59","bibliographicPageStart":"47","bibliographicVolumeNumber":"6","bibliographic_titles":[{"bibliographic_title":"文化情報学","bibliographic_titleLang":"ja"},{"bibliographic_title":"Journal of culture and information science","bibliographic_titleLang":"en"}]}]},"item_1_description_12":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"音楽や舞踏は,芸術のシステムの中で長年その地位が低く扱われてきた.それは,古代ギリシャで身体を使う作業をすべて奴隷にさせていたことに起因し,長らくヨーロッパでは身体を使う職業が一段下とみなされてきた.このように音楽や舞踏といった芸術は極めて身体との関係性が強いジャンルである.作曲家が楽譜を書いているとき,様々な身体の格好,構えなどを想定している.つまり,楽譜は身体の格好の記録としての側面があることを理解する必要がある.時代によって,作曲家によって,あるいは様式によって,ある曲に適切な身体の格好というものが暗黙に合意されている.それは楽譜通りに音符をたどっていけば,そのような格好で演奏せざるを得ないようになっているからである.音楽は身体と音の振動,空気の振動といったものが互いにくっついて,たとえそこに身体が現前していない所でも,われわれはそこにその振動を発生させた身体を想定してしまう.その意味で音楽は非常に生々しい芸術といえるのである.","subitem_description_language":"ja","subitem_description_type":"Abstract"},{"subitem_description":"In the long history of artistic systems, music and dance have not always enjoyed a high status, due to the fact that all physical activities were performed by slaves in ancient Greece. In Europe, businesses involving the body were considered lowly. Music and dance as art forms are strongly tied to bodily motions. When a composer writes music, he or she visualizes the various postures of the body. The notes, therefore, must also be understood as corresponding to physical postures. Among the different ages, composers and styles of music, there are implied and shared physical postures that are considered appropriate for certain music. When a musician follows the notes, he or she will be playing with these tacitly understood postures in mind. In music, the vibrations of the body, sound and air are interconnected. So a listener can imagine the posture which caused the vibration, without witnessing the actual posture in advance. In this sense, one can say that music is a very vivid form of art.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_1_description_13":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"講演記録","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_1_description_25":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_1_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.14988/pa.2017.0000013115","subitem_identifier_reg_type":"JaLC"}]},"item_1_publisher_15":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"同志社大学文化情報学会","subitem_publisher_language":"ja"}]},"item_1_relation_24":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_language":"ja","subitem_relation_name_text":"掲載刊行物所蔵情報へのリンク ／ Link to Contents"}],"subitem_relation_type":"isFormatOf","subitem_relation_type_id":{"subitem_relation_type_id_text":"https://doors.doshisha.ac.jp/opac/opac_link/bibid/SB10166425/?lang=0","subitem_relation_type_select":"URI"}}]},"item_1_source_id_17":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"18808603","subitem_source_identifier_type":"PISSN"}]},"item_1_source_id_19":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA12131759","subitem_source_identifier_type":"NCID"}]},"item_1_subject_27":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"760.7","subitem_subject_scheme":"NDC"}]},"item_1_text_8":{"attribute_name":"著者所属","attribute_value_mlt":[{"subitem_text_language":"ja","subitem_text_value":"京都大学人文科学研究所准教授"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"岡田, 暁生","creatorNameLang":"ja"},{"creatorName":"オカダ, アケオ","creatorNameLang":"ja-Kana"},{"creatorName":"Okada, Akeo","creatorNameLang":"en"}],"nameIdentifiers":[{},{},{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2013-06-07"}],"displaytype":"detail","filename":"039000060006.pdf","filesize":[{"value":"848.6 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"039000060006.pdf","url":"https://doshisha.repo.nii.ac.jp/record/22170/files/039000060006.pdf"},"version_id":"98322e03-8481-4392-ad7b-47bf00084f8e"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"わざ","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"音楽家","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"身体","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"記録","subitem_subject_language":"ja","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"わざ、カリスマ、不透明な身体 : 音楽家の場合","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"わざ、カリスマ、不透明な身体 : 音楽家の場合","subitem_title_language":"ja"},{"subitem_title":"ワザ、カリスマ、フトウメイナ シンタイ : オンガクカ ノ バアイ","subitem_title_language":"ja-Kana"},{"subitem_title":"Art, charisma and opaque body in the music peformance","subitem_title_language":"en"}]},"item_type_id":"1","owner":"21","path":["2889","7175"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2013-06-07"},"publish_date":"2013-06-07","publish_status":"0","recid":"22170","relation_version_is_last":true,"title":["わざ、カリスマ、不透明な身体 : 音楽家の場合"],"weko_creator_id":"21","weko_shared_id":-1},"updated":"2023-10-26T05:28:40.613177+00:00"}