@phdthesis{oai:doshisha.repo.nii.ac.jp:00001111,
 author = {ジョルダーノ, ジュセッペ and Giordano, Giuseppe},
 month = {2013-10-22, 2014-07-08},
 note = {『新古今和歌集』が優れた作品である一因として、和歌の配列が挙げられる。本学位論文では、本家集における和歌の配列の仕組みを分析することにより、配列に見られる撰者たちの方針意図を解明する。とりわけ歌枕、体言止め、本歌取りの三つの修辞技巧に着目して、それらが和歌の配列に対して、重要な要素であることを解き明かす。, Shinkokinwakashu, or “The New Kokinshū", is usually considered an extremely refined literary work, but the reason why is far from being just the quality of its single chosen poems. As a matter of fact, the excellence of this anthology is also given by the way the poems are organized in progression. In this dissertation, starting from a direct analisys of the poem sequences in the anthology, I tried to figure out what the motivation at the core of the compilers' choises was. In particular, I tried to clarify how famous place names, nominal stops and allusive variations convey a very profound sense of cohesiveness to some poem sequences., application/pdf},
 title = {『新古今和歌集』の配列に対する修辞技巧の役割 : 歌枕・体言止め・本歌取りを中心に},
 year = {}
}